The idea of the six million dollar man was pretty farfetched
for the 80s. I mean, a man being given a
pricy dose of bionic prowess after skydive crash-landing into a tree? While highly experimental and grossly
expensive, what seemed like science fiction to us then seems much more
plausible today. This is especially true
when we see individuals like Oscar Pistorius and the strides made with
prosthetic medicine or even stem cell research.
As we progress and experiment, we learn more about what we can actually
accomplish through integration of technology and one of the most organic,
evolving and complex experimental subjects; the human body.
The body with all its impulses, nerves, synapses and other
complexities is the technological target.
It’s strived to be perfected, preserved and protected in all its areas; the
physical, mental and spiritual. While we
may wrestle intensely over the moralities of the mental and the spiritual, the
physical state of the body is the most visual and therefore has often been the
most fussed over. It’s this fussing that
fashion inhabits as its many facets serve to protect, disguise, empower,
enlighten and equip. Things that
ironically are right in play with the mental and our own definitions of the
spiritual.
The aforementioned issues of technology for the human body
and clothing for the physical body are merged and conger up issues of how and
what we could wear to satisfy the current needs, advancements of our
bodies. Issues like this and other
radical thoughts on transhumanism were on play at the Spring/Summer 2015 Marlon
Gobel menswear show. Mr. Gobel explored
the notions of man’s need to be stronger, smarter, younger, faster and
better-equipped males through a telling installation. Models filed onto a laboratory styled staging
area and were prompted by a lone female lab technician who appropriately
checked off each specimen as fit for the social and fashionable arenas.
As if to protect the newly capable human form, the models were
adorned in highly wearable ready-to-wear apparel in fabrics from durable
stretch nylons and cotton canvases to body-molded cashmeres and soft
neoprenes. The silhouettes, like moto jackets, bombers, trim dress shirts and cropped cuffed trousers ran through the gamut of comfortable menswear exploring how cut, trim placement and even color play roles in enlightened male's selections. With the ideas of human advancement surrounding transhumanism, Mr. Gobel made a case of what the enhanced and enlightened male specimen chooses to wear to be the best himsel. The allusion proposed is that these articles of clothing create a balance with the wearer by congruently leaving his body equipped to be protected, agile, suitable, current, ready and able. What the clothing does for the modern body and the modern male psyche is the technology.
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